THE ESOPUS FOUNDATION LTD
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Mission Statement
The Esopus Foundation Ltd. is a 501(c)(3) not-for-profit organization incorporated in New York State in 2003. It was formed to provide an unmediated forum through which artists, writers, musicians, and other creative people can make a direct connection with the general public.
About This Cause
Over the past decade, the Esopus Foundation Ltd. has been largely devoted to the publishing of Esopus, a twice-yearly magazine that features content from all creative disciplines presented in an unmediated format. “Unmediated” means that Esopus never features advertisements or commercially driven editorial material, and employs a purposefully neutral editorial voice in order to make the magazine a distributor, rather than interpreter, of its content. From 2009 to 2012, the Esopus Foundation also ran Esopus Space, an intimately scaled performance and exhibition venue in New York City’s Greenwich Village neighborhood that featured one-person and group shows, performances, lectures, and screenings at no cost to the public. ESOPUS MAGAZINE Twice-yearly Esopus features contributions from a cross-section of creative disciplines presented in a striking visual format with minimal editorial framing and no advertising. This gives our readers the opportunity to access a wide range of cultural expression with minimal interference and attracts and engages general readers who might not otherwise engage with this type of publication. Content for Esopus is selected using 1) an open submissions policy; 2) recommendations and suggestions from the magazine’s board of advisors—which includes respected creative professionals from a wide range of disciplines—as well as from other contributors and colleagues; and 3) the editor’s 23 years’ experience of working in the art, film, and publishing fields of New York City. We take care to invite individuals representing a wide range of cultural, geographic, and aesthetic backgrounds to provide a more complete picture of contemporary creative practices. Each issue of Esopus includes three long-form contemporary artists’ projects—one by an established artist (past contributors have included Richard Tuttle, Jenny Holzer, and John Baldessari) and two by emerging figures. Previous projects have taken the form of removable posters, booklets, foldouts, and hand-assembled sculptures, and have often utilized complex printing processes, unique paper stocks, and specially formulated inks. Issues also typically include personal reflections on various creative disciplines by practitioners including film composer Carter Burwell, choreographer Christopher Wheeldon, chef Jody Williams, and lighting designer Jennifer Tiptons. Also featured in nearly every issue is a portfolio of work by an undiscovered artist, such as the battle drawings of 13-year-old student Alex Brown; the WWII–era gouache portraits of Holocaust survivor Samuel Varkovitsky; the mixed-media collages of the severely autistic 24-year-old Alex Masket; and Mark Hogancamp's stunnning photographs of Marwencol, a one-sixth-scale town the Kingston, NY, resident created to help overcome the physical and emotional trauma he suffered after a hate-crime attack in 2000. Along with a sampling of short plays, visual essays, film excerpts, poetry, and fiction by never-before-published authors, issues contain installments of several regular series: “Modern Artifacts,” for which undiscovered treasures from the Museum of Modern Art Archives are reproduced in facsimile, “Guarded Opinions,” which features museum guards’ commentaries on the art they oversee; and “Analog Recovery,” which showcases never-before-published photographs from the legendary Magnum Photos Archive. Each issue concludes with a themed audio CD, for which musicians are invited to contribute a new song based on a particular subject. Past contributors to Esopus CDs include Neko Case and Carl Newman, Stephin Merritt, Lee Ranaldo, Jens Lekman, Grizzly Bear, the Mountain Goats, and Kimya Dawson. Esopus currently reaches 30,000 readers around the world. The magazine counts subscribers in all 50 states and 27 countries and is distributed extensively to bookstores and newsstands throughout the U.S., Canada, Europe, South America, Asia, and the South Pacific. Our readership includes professionals from the art, film, theater, music, design, and publishing fields; public libraries, educational institutions, and arts organizations; and general readers who have learned about the publication through features in The New York Times, Print, The New Yorker, New York magazine, Harper’s, The Village Voice, Toronto’s National Post, China Business News, Munich’s Süddeutsche Zeitung, The Utne Reader, NPR, and many other mainstream venues. Esopus is offered at a deeply subsidized cover price (significantly less than its production cost) to make it available to people who would otherwise not be able to afford it, as well as attractive to a readership unfamiliar with higher-priced specialty arts publications. In addition, we offer free copies of each issue to public, school, and alternative libraries in rural and inner-city areas through the Distribution to Underserved Communities (DUC) Library Program of New York City’s Art Resources Transfer Ltd.